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July 2009 Vol. 24 No. 3
Contents
Why I Love Singers
The View From Here
Singers Glen
January Festivities
Correspondence
On Making Music with Alice
Recorded Favorites?
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WHY I LOVE SINGERS
Editorial
The new Singer Network at Chorus America asked if I could contribute a piece to their website, and my first thought was to acknowledge my own delight in the company of singers. They are, on the whole, an addictive bunch, and I’ll try to sort out why.
First of all, I do like all singers; large and small, young and old, beginners and old pros, in church and school choirs and community choruses – wherever they are. But I harbor a special place in my heart for the professional choral singers who peopled my younger years in the Robert Shaw Chorale, and with whom I now work in the Musicians of Melodious Accord.
Of course, I married one. Tom Pyle had a wonderful baritone voice, and he was also a perfectly charming person. A true southern gentleman, he had impeccable manners and was notably cordial and courteous in his dealings with others. (As personnel manager on tours of the Robert Shaw Chorale, he had lots of challenges in this department: once the singers broke into applause on the bus as he chastised one wayward member for childish behavior. That was after he’d had children of his own.) He was a delightful conversationalist, and often retold the ridiculous jokes that circulated amongst the New York professionals of whom he was part. (A doctor friend complained that singer jokes were so much funnier than medical ones.) Lastly (and this is atypical for singers) he had a very even temperament – almost nothing disturbed his composure. .
Now I can’t hold this paragon up as a model of all singers. But certain traits run true: they do like to eat, drink, converse, laugh and party. They are just plain fun to be with; outgoing, friendly and not (at least my New York professionals)overburdened with ego. (There’s no room for that in the tightly-scheduled performance world.) They are serious about their careers, always honing their talents and accepting new challenges. They are also family people, sharing photos of children, and commiserating over illnesses and accidents. They love it when rehearsals and performances go well, and suffer when they don’t. They are wonderful listeners. (My definition of professional choristers is that they rememberamateurs often have to be told again and again. When I'm working with The Musicians of Melodious Accord, I feel more like a colleague than a conductor teacher.
Some of the old images do persist. Sopranos are apt to be flightier than other mortals; Mezzos and Altos are more sensible (and the best baby-sitters). Tenors can be rather child-like – I remember when a whole section (of four) collapsed into helpless laughter when they came to the Isaac Watts lines “In secret groans my minutes pass, And I forget to eat.” (This was the same crew that brought three dozen Crispy Creme Doughnuts to a rehearsal of sixteen singers.) I have to admit to a personal partiality to Baritones; Basses are often more reserved and quiet.
One can wonder about the effect on the brain of vibrations from high pitches. And the lack of common sense that impels people like singers (and dancers) to try to build a career on such an unstable and body-dependent foundation. But the gifted ones all know that there is a satisfaction to be found in making music that pales all other occupations. Creating the sound out of your own body, using your mind and heart to bring the song to life, sharing in the affirmation of human experience that choral work gives: these make for a wonderfully healthy attitude toward life. We’re not focused on financial riches: we’ve found other riches elsewhere. We’ll do almost anything to be able to keep singing. But we would like to be taken seriously in our profession, and recognized for the sometimes inspired work that we do together.
In fact, if we could raise the world’s population of singers to 90%, it would be a far happier place. Some of the books might not balance some of the complex technological gadgets might not function; and most of the wars would die for lack of funding – but there would be lots of love, laughter, good food and wonderful song. What could be better?
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THE VIEW FROM HERE
Well, this time it’s a tropical rain forest. The skies have opened almost every day, and sometimes with such force that the brook is roaring, and the falls at Shelburne Falls look (and sound and feel) like Niagara. More often it’s like yesterday: on, off, on, off, as if some heavenly hand were toying with a faucet. Rarely does the sun break through the clouds, and it’s either chilly and damp, or warm and muggy.
The upside is what’s happened to plants and bushes. The latter have exploded in size: my star magnolia is towering over me. The rhododendrons are thick with blooms, and the hydrangea is threatening to take over the yard. . . what’s left after the mint’s greedy expansion. The maple and birch trees I’ve planted have soared out and up. All the flowers this spring have been exceptionally large: great crowds of daffodils, fragrant lilacs, day-lilies, iris, lupine, and the peonies! We counted 5 full blossoms on just one stem. The foliage is so thick on the trees that one can’t see into the woods as usual – there are curtains of green around us.
The fat robins are finding lots of worms, and the birdcalls at four o’clock in the morning are rich indeed. My granddaughter brings me bunch after bunch of daisies. But the ground underfoot is soggy, and on our dirt roads there are mires of soupy mud, much more suitable to March than June. Most of my tiny herb-and-salad garden is flourishing, but the tomato plants are starved for sun. Now we’ll probably get nothing but sun in July. There’s just no pleasing the human race! Alice Parker
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SINGERS GLEN
The latest release from the Musicians of Melodious Accord is a sequence of early-American hymns from Alice’s third opera, Singers Glen. This traces the true story of Joseph Funk, a Mennonite school-teacher and song-leader who lived near Harrisonburg, VA in the first half of the 19thcentury. He published five editions of a fine shape-note hymnal titled Genuine Church Music (later renamed Harmonia Sacra and still in print in its 26th edition.) The two singing-school scenes include modal melodies like the lively Hiding Place and the stern Idumea, as well as a sweet duet Daughter of Zion,and a boisterous jig, Christian Hope.Joseph’s house still stands in the town of Singers Glen, and the opera is still performed there with some of his descendants in the cast.
People who enjoy exploring unfamiliar by-ways of American history will enjoy this glimpse of a time when hymn-singing was a popular pastime, as well as the evocative tunes and texts which bring the era to life.
JANUARY FESTIVITIES
In 2010 Melodious Accord begins the celebration of its twenty-fifth year! We’ll begin with an expanded January in New York program, and plan to continue with the release of a new CD Saints Bound for Heaven,the publication of the new Melodious Accord Hymnal,and a Summer get-together in Hawley. First we’ll meet in New York City on Saturday January 16th for a Board Meeting, and then a gathering of friends, fellows and colleagues to celebrate our past accomplishments, our present activities, and hopes for the future. Save the date! On Sunday afternoon the 17th, we will hold our annual Spirituals SING at Park Avenue Christian Church, with Pamela Warrick-Smith, Charles Brown and Alice Parker participating. For the next three days, the Score-Reading Fellowship Program will concentrate on Hymnody, with attention paid to different historical and geographic styles, improvisation, and the introduction of Alice’s new hymnal. And for those attending, we’ll have an informal recording session on Tuesday, to see if we can capture some of the flavor of Alice’s SINGS in a congregational setting.
Let us know if you plan on coming – we’ll keep the website up-to-date with the latest information on schedules and registration.
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CORRESPONDENCE
In 2010 Melodious Accord begins the celebration of its twenty-fifth year! We’ll begin with an expanded January in New York program, and plan to continue with the release of a new CD Saints Bound for Heaven,the publication of the new Melodious Accord Hymnal,and a Summer get-together in Hawley. First we’ll meet in New York City on Saturday January 16th for a Board Meeting, and then a gathering of friends, fellows and colleagues to celebrate our past accomplishments, our present activities, and hopes for the future. Save the date! On Sunday afternoon the 17th, we will hold our annual Spirituals SING at Park Avenue Christian Church, with Pamela Warrick-Smith, Charles Brown and Alice Parker participating. For the next three days, the Score-Reading Fellowship Program will concentrate on Hymnody, with attention paid to different historical and geographic styles, improvisation, and the introduction of Alice’s new hymnal. And for those attending, we’ll have an informal recording session on Tuesday, to see if we can capture some of the flavor of Alice’s SINGS in a congregational setting.
Let us know if you plan on coming – we’ll keep the website up-to-date with the latest information on schedules and registration.
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MAKING MUSIC WITH ALICE
Wisdom, Wit and Will: Women Choral Conductors on their Art, compiled and edited by Joan Catoni Conlon,just appeared from GIA Publications, 2009. Meet some fascinating women here: try Marin Alsop and Harriet -- for example. There is a good article about Alice pp 445-460, written by Joan Whittemore, who has known Alice since 1976, and studied with her. One abbreviated quote: "One of the remarkable aspects of making music with [her] . . . is that each person comes away learning how to listen more sensitively and intensely to inflection, word, energy, sonority, line, color, texture, rhythm and form. . . (p 450).
RECORDED FAVORITES?
Did you write us to suggest a title to include in our newest CD? We recorded Saints Bound for Heaven in May, and it was a delightful experience. Jacqueline Pierce assembled sixteen superb singers, and we had a ball with such favorites as Hark, I hear the harps eternal, His voice as the sound, and Our bondage it shall end by and by.Newer works included three hymns from the forthcoming Melodious Accord Hymnal, as well as a group of secular songs: Green Dances, Durme, Durmeand Johnny, I hardly knew ye. The collection of eighteen anthems will end with a rousing John saw duh numbah, amongst other spirituals. Lovers of the Parker/Shaw arrangements,and those curious about some of her more recent works will want to hear this! We plan to release it as part of our twenty-fifth anniversary season in 2010.
Copyright 2008 Melodious Accord, Inc. All rights reserved To obtain permission to reprint any part of this newsletter send requests in writing to: Melodious Accord, Inc. 96 Middle Road Hawley, MA 01339
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